Cultural Appropriation Analysis

Tuesday, April 26, 2022 1:44:06 AM

Cultural Appropriation Analysis



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7 Myths about Cultural Appropriation DEBUNKED! - Decoded - MTV News

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Even Malik's example involving rock and roll isn't as simple as Elvis "stealing" from black artists. Before he even came along, systematic oppression and segregation in America meant black musicians didn't have access to the same opportunities for mainstream exposure, income, or success as white ones. Elvis and other rock and roll musicians were undoubtedly influenced by black innovators, but over time the genre came to be regarded as a cultural product created, perfected by, and only accessible to whites. This is the "messy interaction" Malik breezes over in dismissing the idea of appropriation as theft: A repeating pattern that's recognizable across many different cultural spheres, from fashion and the arts to literature and food.

And this pattern is why cultures and people who've suffered the most from appropriation sometimes insist on their traditions being treated like intellectual property — it can seem like the only way to protect themselves and to force members of dominant or oppressive cultures to consider the impact of their actions. This has lead to accusations of gatekeeping by Malik and others: Who has the right to decide what is appropriation and what isn't? What does true cultural exchange look like? There's no one easy answer to either question. But there are some helpful guidelines: The Australian Council for the Arts developed a set of protocols for working with Indigenous artists that lays out how to approach Aboriginal culture as a respectful guest, who to contact for guidance and permission, and how to proceed with your art if that permission is not granted.

Some of these protocols are specific to Australia, but the key to all of them is finding ways for creativity to flourish while also reducing harm. All of this lies at the root of why cultural appropriation is indefensible. It is, without question, harmful. It is not inherent to writing representational and inclusive fiction, it is not a process of equal and mutually beneficial exchange, and it is not a way for one culture to honor another.

Cultural appropriation does damage, and it should be something writers and other artists work hard to avoid, not compete with each other to achieve. For those who are willing to do that hard work, there are resources out there. When I lecture about this, I ask writers to consider whether they are acting as Invaders, Tourists, or Guests, according to the excellent framework Nisi Shawl lays out in her essay on appropriation. And then I point them towards all the articles and blog posts I've collected over time on the subject of cultural appropriation , to give them as full a background in understanding, identifying, and avoiding it as I possibly can. Because I believe that, instead of giving people excuses for why appropriation can't be avoided it can , or allowing them to think it's no big deal it is , it's more important to help them become better artists whose creations contribute to cultural understanding and growth that benefits us all.

Tempest Bradford is a speculative fiction author, media critic, teacher, and podcaster. She teaches and lectures about writing inclusive fiction online and in person via WritingTheOther. Accessibility links Skip to main content Keyboard shortcuts for audio player. NPR Shop. But that's a simplistic, misguided way of looking at appropriation, which causes real harm. Facebook Twitter Flipboard Email. June 28, AM ET. Tempest Bradford. Enlarge this image. In a sense, Sartre suggests the use of postcapitalist appropriation to deconstruct capitalism. If one examines Lacanist obscurity, one is faced with a choice: either reject subcultural discourse or conclude that class has significance, given that the premise of constructivism is invalid.

The primary theme of. Introduction The importance of understanding representation and cultural appropriation of the Other also known as minority groups has come to the forefront in many ethnic communities and how the mainstream consumes it. Cultural Appropriation Analysis Words 3 Pages. Appropriation or Appreciation? It was not until recently I realized that cultural appropriation was such a contentious issue Supported by the downy soft pillows and enclosed by the thick wool of my comforter, I lay in the company of the hazy cold blue light given off by my phone.

After a long day of school and homework, it was certain that the best way to unwind was endlessly getting lost in the depths of Instagram. The cold blue light reflects the shadow of my confused stricken face. Images of people with oversized and wry lips flood my screen. Their swollen and bruised mouths contest their horrified expressions. Cloaks of shame are draped around our bodies and self-hate shatters our identity. It is insane, because when our white counterparts sport our anomalies it is exotic and chic. They adopt our culture and make it their own. For example, if a white man were to decide to grow dreadlocks, mind you, this is a popular hairstyle in the black community; he is able to wear them without abiding the obstacles that a black man with dreadlocks would face.

The white man is not called a thug nor is he is he labeled a criminal, but the black man is. Moreover, within the past year, cornrows or french braids have become more popular in the white community. The problem is not just a matter of copying the hairstyle. Similar to fashion, beauty has a historical context and in the black community cornrows has added a layer of …show more content… Avoiding cultural appropriation does not mean you can't ever participate in a culture that isn't directly associated with you. I believe that sharing culture and creating a more equal environment helps us better understand each other. My mom always tells me that you don't have to wait until you're in a classroom setting to learn, educate yourself. Research, find the purpose and ultimately decide whether your act is appreciation.

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