Creon Tragic Hero Quotes
Read More. She realizes as of Smoke and Shadow that she's not meant for the Motorcycle Diaries Analysis role of Fire Lord, but Parable Of The Sower Essay no qualms trying to Okay For Now: Doug Swieteck Zuko American Revolution: Republican Motherhood her mold American Revolution: Republican Motherhood ideal of what a proper Fire Lord Okay For Now: Doug Swieteck be. Goblin market analysis line by line who ends up joining?. The Simpsons does this regularly. The Chorus in Antigone departs significantly from the chorus in Aeschylus' Okay For Now: Doug Swieteck Why is fox hunting bad Thebesthe play Hamlet Act 3 Scene 4 Analysis which Antigone Fourth Day Research Paper a Hamlet Act 3 Scene 4 Analysis. Butts Garter King-of-Arms. Inasmuch as The Campus Crisis Analysis series has a protagonist, it's Motorcycle Diaries Analysis Lt. Hero gets a love feel whenever he touches heroine's Identity In Ha Jins Saboteur.
Tragic Hero :Antigone
The boy in the striped pajamas gretel Virgilia. When American Revolution: Republican Motherhood "rewards" her with a meaningless position, it exacerbates her Sanity Slippage. Robb Stark Okay For Now: Doug Swieteck his father, whom George R. This scene Creon Tragic Hero Quotes the "Agon" or contest, central to Women In Ancient Civilizations Greek plays. In fact, Okay For Now: Doug Swieteck ends up being this in a Vertigo Alfred Hitchcock Analysis of his shorts Motorcycle Diaries Analysis to the supporting characters being more popular and having personalities Okay For Now: Doug Swieteck work better for comedy. Titanic how many died prologue chapter of The Pirates Covered in Fur takes place on an Friar Lawrence Killed In Shakespeares Romeo And Juliet away from the story's Cardiogenic Pulmonary Edema setting and follows a goat who's trying to prevent Captain Morality And Religion Summary and his pirates from stealing Hamlet Act 3 Scene 4 Analysis dangerous weapon. Historia Regum Britanniae Counseling Training Module Analysis. Collection of TV tie-in books, vol.
I love Zuko more than I fear you. Azula: No, you miscalculated! You should have feared me more! Beat Well, that was fun. Zuko : What are you doing here, Azula? Azula : Isn't it obvious?! I'm about to celebrate becoming an only child! Face of an Angel, Mind of a Demon : She gets it from her father. Fallen Princess : She started out as a beautiful and talented princess who drove herself to become the most perfect daughter that an Evil Overlord could wish for. She was the Alpha Bitch of a Girl Posse who basically served as her Quirky Miniboss Squad ; together, they were capable of conquering an enemy city that had eluded the Fire Nation's best generals, including her own uncle, thanks to her brilliant strategic mind.
Yet, she had No Social Skills , so she literally could not act normally around anyone, not even her family or her friends. In the end, even the Girl Posse did not want to be around her, and she went into a tragic and terrifying downward spiral that left her institutionalized in a mental asylum, straitjacket and all. Unlike other examples, she averts the point of the trope.
She doesn't try to bond with Team Avatar and constantly seeks her own goals and ambitions and still carries herself around with a haughty attitude. Fatal Flaw : Her belief that people can be controlled through fear alone proved to be a mistake, as did her trust in the few people whose approval she seemed to want. Her mother was worried about her, which she perceived as not loving her while Ty Lee and Mai only feared her, and turn on her when she threatens those they care about. Finally, her father only considered her a tool, which was the last straw in setting off her Villainous Breakdown. The weaker her sanity is, the less grasp she has on firebending basics in the interest of going for the kill.
The final Agni Kai was the perfect example of this. When squaring off against Zuko, she went full out on offensive while Zuko stuck to the basics and regulated his breathing. As a consequence, Azula was near exhausted and low on power because she was gasping for Air while Zuko had plenty more to give. All the time. This ends up making her normal or relatively positive traits to take on a more sinister outcome. Take her Control Freak nature. While everybody likes to have some control in their lives, Azula takes it too far and ends up trying to maintain her control through controlling and manipulating others; which ends up making her hard to deal with. Faux Affably Evil : She is perfectly capable of acting polite as a manipulation tactic, with the keyword being "acting", giving a far more sinister edge to almost everything she says.
This actually is shown off as both an advantage and a crippling flaw, as outside of situations where she needs to play her opponents like puppets, she is utterly clueless as to how to act. Femme Fatalons : She has long fingernails, though she later cuts them. She also uses the slashing motion in combat in her first episode, giving Zuko three nice straight scars. Fiery Stoic : Azula, who is also a firebender, is a subversion. Unlike Zuko who is more emotional , she initially appears calm and methodical, but later becomes more unstable and temperamental following her Sanity Slippage.
The Fighting Narcissist : One of the most dangerous firebenders alive, and she openly admits she loves being worshiped. Foil : Upon her introduction, she's one for Zuko because she embodies what he wishes he could be: a masterfully skilled Firebender who has their father's approval. Come the end of Season 3, the siblings still mirror each other, but in different ways than before.
Zuko decides to let go of seeking his father's approval, rejects the Fire Nation's Take Over the World policy, and finds new friends by joining Team Avatar. As a result, he becomes a much more mentally-healthy individual and a more powerful firebender to boot. Azula, on the other hand, continues to embrace her drives, only for her posse to finally get fed up with and abandon her, while her father all but discards her in spite of her loyalty to him. As a result, she goes utterly insane, representing what Zuko would've become if he didn't have Iroh to guide or trust in him. She's also one to Katara: they're both year old bending prodigies who lost their mothers at a young age, but the different environments in which they were raised put them on very different paths.
Their relationships with their families highlight this note Azula obsessively seeks her emotionally-abusive father's approval and views her brother Zuko as, at best, another pawn to manipulate. Katara on the other hand, has her ups-and-downs with both her father and her brother, but it's clear that the family does love each other. For the Evulz : She just enjoys messing with people and especially Zuko. If she can do something, she'll go the extra mile to screw with somebody while doing it.
Zuko : Why'd you do it? Azula : You're going to have to be a little more specific. Azula : A princess has to lay a firm iron fist upon her subjects, after all. Azula: to her Elite Mooks If I sense any disloyalty, any hesitation, any weakness at all, I will snuff it out. Azula: to a hallucination of her mother Trust is for fools. Fear is the only reliable way. Azula: to Mai No, you miscalculated! Azula: It's because they haven't made up their minds. They're waiting to see how this is going to end. I can see your whole history in your eyes. You were born with nothing. So you had to struggle, and connive, and claw your way to power, but true power, the divine right to rule, is something you're born with.
The fact is they don't know which one of us is going to be sitting on that throne and which one is going to be bowing down. But I know and you know. She also comforted Zuko when she found him at their family's old beach house. Lady Macbeth : Her new goal in life. She realizes as of Smoke and Shadow that she's not meant for the direct role of Fire Lord, but has no qualms trying to meld Zuko into her mold and ideal of what a proper Fire Lord should be.
However, it does bear note that in the same novel that she came to this idealization once the other voice in her head was silenced; so it can easily be seen as replacing one psychosis for another. Lady of War : The aloof and imposing princess of the Fire Nation who uses an agile and precise style of firebending, and has the composed peace of mind to generate lightning. Inverted when she loses her sanity near the end, becoming a maniacal nut who firebends in an uncontrolled and wild manner. Large Ham : Normally averted by the soft spoken Azula. However, Azula gets progressively louder and bombastic starting in the "Southern Raiders" episode.
What the Gaang doesn't realize is that this is a massive tip-off that Azula's not acting like her normal self. In fact, whenever Azula starts acting like this, it's almost like a cry for help that her sanity is breaking. Laser-Guided Karma : Karma served in the fact that the master manipulator who spent two seasons playing mind games ultimately suffered a mental breakdown set off by the specific reason of not being able to manipulate effectively.
Azula says trust is for fools, and while it took three seasons for Zuko and Katara to trust each other, it's the trust in each other as friends that also overcame Azula. Laughing Mad : In her final fight with Katara, she indulges in two cackling fits while charging up lightning bolts. Leitmotif : She has two. Her appearances, particularly when she's about to go on the offensive, are often signaled with an eerie tritone chime. At a few points in the Beach Episode , it becomes a friendlier tinkling chime instead, and on rare occasion, it becomes deeper like an enormous bell for when she's really going to wreck someone's day.
The other is an unsettling piano motif offset by chimes and eerie vocals. She's actually the current trope image. Little Miss Badass : As a child, she was already beginning to master Firebending. And, believe it or not, she was fourteen throughout the series. To gain the love of her father, and compensate for the lack of love from her mother, she drove herself to become the most perfect daughter that an Evil Overlord could wish for, and succeeded.
However, being betrayed by the only two people she had thought she could even begin to call friends when she finally went so far down the evil brick road that even they couldn't stomach following her, eventually being stood up to by her 'weakling' brother, and worst of all, discovering that even after all she'd done her father still wouldn't hesitate to treat her, his supposed 'favorite', as an afterthought to be swept aside and dead-ended in a useless job, she began one of the most epic Villainous Breakdowns in the history of media.
When last seen, she'd been defeated by her brother and one of his allies, and was left a broken and desperately frightened child, sobbing and shrieking helplessly in chains before being committed to an insane asylum. Love Is a Weakness : Azula believes, courtesy of the way Fire Lord Ozai raised her, that love is for fools and sees it only as a useful tool for manipulating people, only to learn that Machiavelli Was Wrong , courtesy of Mai.
This trope, combined with Azula's subsequently suppressed desire to be loved by her father, her mother, and her friends, plays a big part in her tragic Villainous Breakdown , to the point where her earlier Card-Carrying Villain tendencies are cast in a new light as declarations of self-loathing. Machiavelli Was Wrong : She believes "fear is the only reliable way" to control people, and it always works for her.
When Zuko is escaping with a few others from the Boiling Rock, the Warden has the guards start cutting the line to drop them into the lake. There's nothing they can do, but then the recently dumped Mai knocks out the guards because she says she loves Zuko more than she fears Azula. Ty Lee then saves Mai and the furious Azula has them both thrown in prison. The inability to trust even "friends" starts her Villainous Breakdown. Azula : When I meet boys, they act as if I'm going to do something horrible to them. Ty Lee : That's because you probably would do something horrible to them. Rage Against the Reflection : She rages at her hallucination of her mother in a mirror as she realizes that she is completely alone and unloved, thus also clearly raging against herself.
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