Comparing Ginsbergs Tribute To Walt Whitman

Monday, January 3, 2022 12:45:45 PM

Comparing Ginsbergs Tribute To Walt Whitman



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U.S. Supreme Court Justice Ruth Bader Ginsburg in Conversation with President Biddy Martin

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Both of these poets have similar poetic tendencies even though they were almost a century apart from each other. Walt Whitman helped to inspire many literary descendants ranging from writers to poets alike. Another significant influence that Whitman has for Ginsberg is the fact that Whitman had been considered an outcast from the literary world of his era. Rudolph Reed takes nihilistic action. Excerpts from a literary letter titled The American Scholar written by Henry David Thoreau will be used as supporting evidence for claims stated in this essay.

The letter is addressed to President Martin Van Buren who won the election in and the contents inside expresses Thoreau's concerns and wishes about expanding American literary ideas into the world. Has it feathers like a Bird? This makes the reader realize that morning is defined by our imaginations, and does not have a precise definition. Please to tell a little Pilgrim Where the place called "Morning" lies! Season can explain a lot about the story such as the time of the year as well as keep track of the timeline but, the season can also set the tone of the story. It is known that certain seasons can be related to a mood and most authors use this to their advantage. Mary Shelley's novel Frankenstein includes many seasons that express Victor Frankenstein's lack of concern for the time while he is invested in his work.

Before Victors started he earned to seek out the cause for nature and took a liking to the seasons. An article written by Susan Strom discusses the possibility of the speaker being a godlike figure, looking down on the events that are happening in the poem. Like Whitman, Ginsberg yokes the sacred and the profane. The mood is one of alienation more than connection.

The unacknowledged madness of the postwar world is destroying the best minds of his generation. There are families in the supermarket and consumer capitalism is on abundant and colorful display. Are you my Angel? The consequent emotions are mixed, then: comic and elegiac, celebratory and melancholy, reverent and parodic. In part II Ginsberg names this monster; it is Moloch, the false god of the Old Testament associated with human sacrifice. The modern Moloch is the god of walls — not just a force outside that devours love and art — it is more insidious, burrowing inside, into all our institutions.

Moloch is Mind itself — that aspect of mind that divides and negates our being. He is also Money, the reduction of human value to economics. Moloch is Materialism, including Time itself, in which the transcendental spirit suffers, and from which it flees. Part II of Howl is, then, a kind of exorcism. What makes this passage exciting is the exclamatory, fantastical, grotesque aspect of the allegory. But the wild sublimity of Moloch is matched by history — by the vast, smoking industrial metropolis, and the Atomic Bomb looming over Cold War America. After casting a wide gaze over the waste land of America, Howl in part III turns to address another kindred spirit, Carl Solomon, to whom the poem is dedicated. After the screaming chants against Moloch subside, the voice is quieter at first.

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